by
Art on October 15, 2015
If your signature look is a black bow tie, and if you are a candidate for Congress, do you want your campaign buttons to look like bow ties? Of course!
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It’s not a hunting term. Nor is it a cooking experiment gone wrong. It’s a phrase often bandied about after an election: the “lame duck,” or departing politician who returns to office for the remainder of his or her term after the November elections. It can be an awkward position, but one in which at least one woman Member found creative inspiration.
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Constitutionally mandated to be the “People’s House,” the House of Representatives has always been elected directly by the voters bienially.
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During his nearly four decade career in Congress, Republican Leader Bob Michel of Illinois had only one chance to preside over the House. Ironically, his short-lived time in the Speaker’s chair came when the Democrats held the majority and because his colleague Speaker Tom Foley of Washington decided that Michel had waited long enough to wield the gavel.
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Each election cycle, campaign buttons bloom on voters’ lapels like flowers in spring. These bright badges come in all shapes, sizes, and colors, and boast catchy slogans such as “We Love Lindy.” Campaign buttons made their debut on the trail in the late 1890s with the advent of a new material called celluloid.
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Ribbons that declared "The Winner." Ribbons for the "Peter J. Dooling Association." Ribbons mourning a dead Speaker of the House. Once, they were all the rage. Then, in the 1890s, a single innovation changed everything. Political ribbons went from reigning supreme as the most portable, wearable, and popular campaign decoration to being a deposed monarch of politicking, exiled to conventions and party dinners. What happened?
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