Object 3 of 8 Boys are shown romping at the edge of a forest park in a game of horse and rider, their disheveled exuberance in contrast to the rather prim couple nearby. These boys benefit from a new attitude toward childhood, influenced by Rousseau, who argued that children should be left to follow their natural instincts. In A Game of Hot Cockles, also in the National Gallery of Art, young men and women amuse themselves in a garden. The youth who is "it" kneels and extends a hand behind him for other players to slap while he guesses their identities. The game is a form of flirtation. The players touch and tease each other, and the youth who is "it" hides his face in the lap of a young lady. And while the rough boys are framed by nature -- beeches and a craggy tree -- this courting scene is framed by art. Eighteenth-century viewers would have recognized the garden sculpture on the right as Falconet's Cupid the Admonisher.
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